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CATEGORICAL PERCEPTION-PHENOMENON OR EPIPHENOMENON: EVIDENCE FROM EXPERIMENTS IN THE PERCEPTION OF MELODIC MUSICAL INTERVALS.BURNS EM; DIXON WARD M.1978; J. ACOUST. SOC. AMER.; U.S.A.; DA. 1978; VOL. 63; NO 2; PP. 456-468; BIBL. 1 P. 1/2Article

MUSICAL PITCH OF TWO-TONE COMPLEXES AND PREDICTIONS BY MODERN PITCH THEORIESHOUTSMA AJM.1979; J. ACOUST. SOC. AMER.; USA; DA. 1979; VOL. 66; NO 1; PP. 87-99; BIBL. 20 REF.Article

ESSAIS SUR LA GAMME CHROMATIQUE DE L'ORCHESTRE.MICHELIN F.1976; REV. SON; FR.; DA. 1976; NO 278-279; PP. 74-76; BIBL. 3 REF.Article

A MODEL FOR PATTERN PERCEPTION WITH MUSICAL APPLICATIONS. I. PITCH STRUCTURES AS ORDER-PRESERVING MAPSROTHENBERG D.1978; MATH. SYST. THEORY; USA; DA. 1978; VOL. 11; NO 3; PP. 199-234; BIBL. 17 REF.Article

NONSPECTRAL PITCH.BURNS EM; VIEMEISTER NF.1976; J. ACOUST. SOC. AMER.; U.S.A.; DA. 1976; VOL. 60; NO 4; PP. 863-869; BIBL. 21 REF.Article

Musical intervals and relative pitch: Frequency resolution, not interval resolution, is specialMCDERMOTT, Josh H; KEEBLER, Michael V; MICHEYL, Christophe et al.The Journal of the Acoustical Society of America. 2010, Vol 128, Num 4, pp 1943-1951, issn 0001-4966, 9 p., 1Article

Average beat rate of two independent musical intervalsSLOANE, C.Journal of sound and vibration. 1988, Vol 121, Num 2, issn 0022-460X, 382Article

Proportionality of beat rate and tempering of musical intervalsSLOANE, C.Journal of sound and vibration. 1987, Vol 112, Num 1, pp 198-199, issn 0022-460XArticle

Feedback and musical resonanceMUSES, C.Kybernetes. 1994, Vol 23, Num 6-7, pp 111-122, issn 0368-492XArticle

Perceptual Separation of Simultaneous Complex Tones: the Effect of Slightly Asynchronous orsetsVOS, J.Acta acustica (Les Ulis). 1995, Vol 3, Num 5, pp 405-416, issn 1022-4793Article

Pitch-interval discrimination and musical expertise: Is the semitone a perceptual boundary?ZARATE, Jean Mary; RITSON, Caroline R; POEPPEL, David et al.The Journal of the Acoustical Society of America. 2012, Vol 132, Num 2, pp 984-993, issn 0001-4966, 10 p.Article

Adjustment of successive and simultaneous intervals by musically experienced and inexperienced subjectsELLIOT, J; PLATT, J. R; RACINE, R. J et al.Perception & psychophysics. 1987, Vol 42, Num 6, pp 594-598, issn 0031-5117Article

ACOUSTIQUE ET MUSIQUE.LEIPP E.1976; PARIS; MASSON; DA. 1976; PP. (348P.); BIBL. 13 P.; ISBN 2225448809; 2EME EDBook

Informetric analysis of a music database: Distributions of intervalsNELSON, Michael; DOWNIE, J. Stephen.ISSI-2001 : International Society for Scientometrics and Informetrics. International conference. 2001, pp 477-484, isbn 0-7334-1820-1, 2VolConference Paper

Labeling of musical interval size by cochlear implant patients and normally hearing subjectsPIJL, S.Ear and hearing. 1997, Vol 18, Num 5, pp 364-372, issn 0196-0202Article

Aiming attention in pitch and time in the perception of interleaved melodiesDOWLING, W. J; MEI-TAK LUNG, K; HERRBOLD, S et al.Perception & psychophysics. 1987, Vol 41, Num 6, pp 642-656, issn 0031-5117Article

Fast evolutionary chainsCROCHEMORE, Maxime; ILIOPOULOS, Costas S; PINZON, Yoan J et al.Lecture notes in computer science. 2000, pp 307-318, issn 0302-9743, isbn 3-540-41348-0Conference Paper

Computer-aided determination of the scale of a musical compositionSPYRIDIS, H. C.Acustica. 1987, Vol 63, Num 2, pp 160-161, issn 0001-7884Article

Infants' perception of musical patternsTREHUB, S. E.Perception & psychophysics. 1987, Vol 41, Num 6, pp 635-641, issn 0031-5117Article

A method of analysing harmony, based on interval patterns or GestaltenEBERLEIN, R.Lecture notes in computer science. 1997, pp 225-236, issn 0302-9743, isbn 3-540-63526-2Conference Paper

Recovery of the tonal hierarchy: some comparisons across age and levels of musical experienceCUDDY, L. L; BADERTSCHER, B.Perception & psychophysics. 1987, Vol 41, Num 6, pp 609-620, issn 0031-5117Article

Tonal fusion of consonant musical intervals: the oomph in StumpfDEWITT, L. A; CROWDER, R. G.Perception & psychophysics. 1987, Vol 41, Num 1, pp 73-84, issn 0031-5117Article

Tonal schemas: evidence obtained by probing distorted musical scalesJORDAN, D. S; SHEPARD, R. N.Perception & psychophysics. 1987, Vol 41, Num 6, pp 489-504, issn 0031-5117Article

A mathematical determination and study of all possible modes of the seven-note musical scalesSPYRIDIS, H. C.Acustica. 1987, Vol 63, Num 2, pp 151-155, issn 0001-7884Article

Serial-pattern structure and temporal-order recognitionBOLTZ, M; MARSHBURN, E; JONES, M. R et al.Perception & psychophysics. 1985, Vol 37, Num 3, pp 209-217, issn 0031-5117Article

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